"Still standing, I ain't strung on
crack.
Still handle it like Pun on tracks,
so check me out y'all.
Street affili, was born willie, arms is
chilly,
neck froze, fresh clothes, the specs is
silly.
Adored for really, war like the lord
Achilles.
I'm too illy, worth more than half a
billy.
So please feel me, I'm direct effect,
and since a kid at fresh fest, I've
been fresh to death."
from Make Me ft. Fresh
While the last couple of entries have
been mostly been hits and misses, classics and travesties, this entry
is about an album that quietly falls somewhere inbetween. The Format
is not a bad album, but at the same time nowhere close to where it
could have been with a greater artistic vision and/or better
execution.
If the name AZ sounds familiar to you,
it's probably because he was on "Life's a Bitch" from Nas'
debut "Illmatic". If you're seriously into hip hop, you
might have also heard of his critically acclaimed -95 album "Doe
or Die" or know him from supergroup "The Firm". If
you're completely unfamiliar with the name, that's probably because
he's unfortunately never really made a big name for himself and
remains under peoples radars despite the fact that his lyrics are
always strong and his flow is superb. To call him underrated would be
an understatement.
As is often the case, though, good
reviews and respect from peers alone do not sell records and after
getting dropped from first Virgin and later Motown, AZ decided to
start a record label of his own- Quiet Money Records- to continute
putting out his music. "The Format" is the second album
release on Quiet Money and features notable production by DJ Premier
on the title track. Overall, the sound is crisp and nice but always
in a very comfortable safe zone. None of the beats are bad by any
means, but they also fail to make an impression and that goes for AZ's lyrics as well.
What I feel is the real downfall of the
album, though, is AZ not putting his lyrical skills to better use
than to regurgiate an already tired "rags to riches"/"gangsta
rapper who made it" narrative. You'd imagine getting dropped by
two major record labels and being part of the 90's New York hip hop
scene would provide more than enough material to draw from, but "The
Format" fails to come across as anything special. Which is a
shame, since I know AZ can do much better.
High point of the album: Animal
Low point of the album: Game of Life
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