"Politics, pop collars and drive
violent whips.
Stay fly, hungry and wise, you know the
code- honor it.
Sit back, yelling 'it's nothing'-
unless his buttons get pressed.
We don't stress nothing, we only get
dressed.
Stretched out, moving professional,
frying more fish.
I heard it in slurs, them niggas is
blessed.
While we ball to the maximum, give me
the floor for real-
I show off and let my money get
stretched.
Take it to a new level, new bezzle, few
rebels,
few wolves with medals on, you know we
get test."
from About Me
Artistically speaking, sequels are a
hard sell- outside of some rare exceptions it'll just be about the
artist trying to make more money based on the fact that they had one
work of art do much better than average and are now trying to milk
that "brand". Since I've reviewed two albums recently based
on the fact that they have sequels coming out this year, I figured
today would be about a fairly well executed sequel of recent years.
Raekwon is, to anyone unfamiliar with
him, one of the more active members of the Wu-Tang Clan- having
pretty much put out a solo release or been on an album a year since
his debut- the first installment of the "Only Built 4 Cuban
Linx" series. I'm not sure if there's even a theoretical
connection between Only Built 4 Cuban Linx parts one and two, but it
also doesn't really matter; the album is strong enough that it feels
like a shame Raekwon decided to name it after his classic -95
release.
The themes of the album should be
familiar to anyone who's listened to the Wu-Tang Clan before: Samples
from Kung-Fu movies, lyrics seamlessly going back and forth between
romanticizing crime and just talking about life in general, beats a
bit all over the place.
Among the better things abotu the album
is Raekwons dark, smooth flow and tight delivery. The beats, while
thematically different, all feel like they work within the artistic
framework of the album; whether it's Dre's typical brooding piano
beats or Rza's collage style samples, Raekwon's style of rhyming is
diverse enough that it doesn't matter- it's actually damn impressive.
The album features a large number of
appearances by other artists; obviously other members of the Wu-Tang
Clan are on a lot of tracks but the one that stands out is an
incredibly strong appearance by Jadakiss on "Broken Safety".
The biggest negative working against the album is the lack of
direction it seems to have- there's no real theme tying the album
together and most of the time it feels like little more than just a
bunch of individual songs.
Granted, it is a bunch of very strong
individual songs.
High point of the album: Black Mozart ft. Rza & Inspectah Deck
Low point of the album: Cold Outside ft. Ghostface
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